News Archive

2025-03-10

Released July 15, 2025: “Contour of Oblivion”
(2025-07-15)

Published on March 2, 2025: “Titan’s Dream”
(2025-03-09)

Released on February 14, 2025: “Phantom Gleam”
(2025-03-09)

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Masaharu

A Japanese composer creating experimental crossover music rooted in jazz and classical music. Drawing on his experience in composing for stage productions and video games, he seeks to create music with a strong narrative.

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Released July 15, 2025: “Contour of Oblivion”
(2025-07-15)

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Latest Articles

Echoes of the Self and the Voice of the Other: A Dialogue on Composition with AI

2025-08-142025-08-15

Silence as the Fountainhead of Writing: Thoughts on BGM for Writing

2025-08-13

Are We Speaking in “DAW-lish”?

2025-08-01

Review: “Musical Cognition” edited by Rita Aiello

2025-07-27

Deconstructing DAW Music Production with “A Story of a Garden”: Solitude, Contingency, and Coexistence with AI

2025-07-15

Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi

2025-07-12

Review: “A History of Harmony” by Olivier Alain

2025-07-11

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