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Masaharu – Composer | Official Site

Masaharu 作曲家 Composer
2025-03-04

Works

‘Titan’s Dream’

Released on March 2, 2025.
A post-minimalist piece for orchestra and choir.

‘Contour of Oblivion’

A 3-track EP released on July 15, 2025.

This collection explores one of my recurring themes—”delicately fluctuating structures and developments”—through the lens of IDM (Intelligent Dance Music).

You can listen to other works in the “Discography”.

For more details on the composer, please see “Profile.”

Latest Articles

The Cruelty of the World and the Work as a Fortress: Reflections on the Film “The Zone of Interest”
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Does AI Create Music, or Does It Extend the Musician?
On January 21, 2026, a business partnership between ACE Studio and EASTWEST Sounds was announced...
Rethinking Cubase Template Creation via a “Layer Structure”
AI Audio: "Commentary on this article"Have you ever stood before a massive orchestral template a...
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"Which offers better performance: the 'Multi-timbral approach,' where multiple instrument parts ...
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For anyone using DAWs like Cubase for music production, WAVES plugins are likely indispensable t...
Review: “Lydian Chromatic Concept” by George Russell
The Lydian Chromatic Concept is often described as more than just a music theory book; it is a p...
Wildcard Concept: Reading “The Lydian Chromatic Concept”
(Original posted on October 22, 1999)Exploring systematic music theories offers composers a dist...

Categories

Latest Articles by Category

Essays

The Cruelty of the World and the Work as a Fortress: Reflections on the Film “The Zone of Interest”
Does AI Create Music, or Does It Extend the Musician?
Rethinking Cubase Template Creation via a “Layer Structure”
Wildcard Concept: Reading “The Lydian Chromatic Concept”
Music and Words, the Creative Cycle: Like Building a Model Castle

Cubase & Plugins

Rethinking Cubase Template Creation via a “Layer Structure”
Multi-timbral vs. Single-timbral in Cubase
How to Fix WAVES Plugins Not Loading or Being Recognized
Cubase 15: How to Change the Mouse Horizontal Scroll Direction
What to Do When Canva Flags Your Original Music as “Copyright Protected”

Music Reviews

Capcom’s ‘Exed Exes’ – The Main BGM That Still Shines Brightly
Capcom’s ‘1942’ BGM: An Enduring Memory of Retro Gaming
Rentaro Taki’s Piano Piece “Urami”: Insights from His Compositional Process
Darius’s “MAIN THEME – CHAOS” by Hisayoshi Ogura (OGR): A Uniquely Original Masterpiece
The Serene Aesthetics of Fusion in Tigran Hamasyan’s “The Poet”

Book Reviews

Review: “Lydian Chromatic Concept” by George Russell
Review: “The Birth of Atonality” by Toshie Kakinuma
Review: “Ellipse and Skeleton” by Kunihiko Yamashita
Review: “Musical Cognition” edited by Rita Aiello
Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi
Profile      
Masaharu

Japanese composer. Based on jazz and classical foundations, he creates experimental crossover music. Drawing on his experience in composing for theater and games, he pursues music rich in narrative and structural beauty.

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Masaharu