日本語
English
Deutsch
Français

Masaharu – Composer | Official Site

Masaharu 作曲家 Composer
2025-03-04

Works

‘Titan’s Dream’

Released on March 2, 2025.
A post-minimalist piece for orchestra and choir.

‘Contour of Oblivion’

A 3-track EP released on July 15, 2025.

This collection explores one of my recurring themes—”delicately fluctuating structures and developments”—through the lens of IDM (Intelligent Dance Music).

You can listen to other works in the “Discography”.

For more details on the composer, please see “Profile.”

Latest Articles

How to Leverage Manuals for Cubase and Plugins with NotebookLM
What if you could be freed from the hassle of deciphering Cubase and plugin manuals, and instead...
Review: “Ellipse and Skeleton” by Kunihiko Yamashita
(Original posted on April 9, 2002)The book's subtitle is "The Conscious Mind of Tetsuya Komuro ×...
Solar and Lunar Creativity: A Reflection on Lighting in the Creative Environment
"Podcast commentary on this article" by AI voice *JapaneseThe "color" of lighting that illumina...
Empathy as a Happy Illusion: Reflecting on “The Memory Police” and Music
Podcast Commentary of This Article by AI VoiceI recently finished reading Yoko Ogawa's "The Mem...
Echoes of the Self and the Voice of the Other: A Dialogue on Composition with AI
Podcast Commentary on This Article (in Japanese)With the rapid proliferation of AI-driven compo...
Silence as the Fountainhead of Writing: Thoughts on BGM for Writing
When I sit down to write and face myself, I do not play music (BGM). I don't even wear earphones...
Are We Speaking in “DAW-lish”?
The Blind Spot in the DAW Production EnvironmentThe DAW (Digital Audio Workstation) has, before ...

Categories

Latest Articles by Category

Essays

Solar and Lunar Creativity: A Reflection on Lighting in the Creative Environment
Empathy as a Happy Illusion: Reflecting on “The Memory Police” and Music
Echoes of the Self and the Voice of the Other: A Dialogue on Composition with AI
Silence as the Fountainhead of Writing: Thoughts on BGM for Writing

Cubase & Plugins

How to Leverage Manuals for Cubase and Plugins with NotebookLM
ASIO-Guard Explained – For Stability and Performance in Your Production Environment
How to Make MIDI Data Drag and Drop Work Correctly
Is Nahimic Causing Your Cubase to Crash & Freeze? Solutions Here

Music Reviews

Darius’s “MAIN THEME – CHAOS” by Hisayoshi Ogura (OGR): A Uniquely Original Masterpiece
The Serene Aesthetics of Fusion in Tigran Hamasyan’s “The Poet”
Rediscovering the Charm of Lutoslawski
Listening to “Hana” by ASA-CHANG & Junray

Book Reviews

Review: “Ellipse and Skeleton” by Kunihiko Yamashita
Review: “Musical Cognition” edited by Rita Aiello
Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi
Review: “A History of Harmony” by Olivier Alain
Profile      
Masaharu

Japanese composer. Based on jazz and classical foundations, he creates experimental crossover music. Drawing on his experience in composing for theater and games, he pursues music rich in narrative and structural beauty.

Discography
Blog
Profile
Contact
Masaharu