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Masaharu – Composer | Official Site

Masaharu 作曲家 Composer
2025-03-04

Works

‘Titan’s Dream’

Released on March 2, 2025.
A post-minimalist piece for orchestra and choir.

‘Contour of Oblivion’

A 3-track EP released on July 15, 2025.

This collection explores one of my recurring themes—”delicately fluctuating structures and developments”—through the lens of IDM (Intelligent Dance Music).

You can listen to other works in the “Discography”.

For more details on the composer, please see “Profile.”

Latest Articles

Cubase 15: How to Change the Mouse Horizontal Scroll Direction
On November 5, 2025, the new version, Cubase 15, was announced and released on the same day. Per...
What to Do When Canva Flags Your Original Music as “Copyright Protected”
When creating music-related videos in Canva, you might unexpectedly encounter a copyright error....
Music and Words, the Creative Cycle: Like Building a Model Castle
"Podcast Commentary on This Article" by AI VoiceWhen someone who creates music writes "about mus...
The Struggle of Sensibility and the Transition of Technique: Looking Back at the Compositions of My Teens
In this article, I'd like to look back on my composing style and creative attitude from my teena...
Summoning Music and the Aesthetics of Responsibility: The Concept of Composition in the Generative AI Era
Podcast Commentary on This Article (AI Voice)The world of music production is at a historic turn...
Capcom’s ‘Exed Exes’ – The Main BGM That Still Shines Brightly
AI Voice "Podcast Commentary on This Article"Following up on my previous article about '1942', ...
Capcom’s ‘1942’ BGM: An Enduring Memory of Retro Gaming
Back in the 1980s, as a child, I was completely immersed in the world of video games. I would fe...

Categories

Latest Articles by Category

Essays

Music and Words, the Creative Cycle: Like Building a Model Castle
The Struggle of Sensibility and the Transition of Technique: Looking Back at the Compositions of My Teens
Summoning Music and the Aesthetics of Responsibility: The Concept of Composition in the Generative AI Era
The Creative Spiral: The Dynamics of ‘Inadequacy’ and ‘Creative Space’

Cubase & Plugins

Cubase 15: How to Change the Mouse Horizontal Scroll Direction
What to Do When Canva Flags Your Original Music as “Copyright Protected”
How to Leverage Manuals for Cubase and Plugins with NotebookLM
ASIO-Guard Explained – For Stability and Performance in Your Production Environment

Music Reviews

Capcom’s ‘Exed Exes’ – The Main BGM That Still Shines Brightly
Capcom’s ‘1942’ BGM: An Enduring Memory of Retro Gaming
Rentaro Taki’s Piano Piece “Urami”: Insights from His Compositional Process
Darius’s “MAIN THEME – CHAOS” by Hisayoshi Ogura (OGR): A Uniquely Original Masterpiece

Book Reviews

Review: “The Birth of Atonality” by Toshie Kakinuma
Review: “Ellipse and Skeleton” by Kunihiko Yamashita
Review: “Musical Cognition” edited by Rita Aiello
Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi
Profile      
Masaharu

Japanese composer. Based on jazz and classical foundations, he creates experimental crossover music. Drawing on his experience in composing for theater and games, he pursues music rich in narrative and structural beauty.

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Masaharu