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Masaharu – Composer | Official Site

Masaharu 作曲家 Composer
2025-03-04
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News

Released July 15, 2025: “Contour of Oblivion”

The new EP “Contour of Oblivion” has been released.

This 3-track work explores delicately shifting structures and developments, one of the artist’s themes, centered on the context of IDM (Intelligent Dance Music).

Available for listening and download on Bandcamp.

Published on March 2, 2025: “Titan’s Dream”

The new track “Titan’s Dream” is now available on YouTube.

Released on February 14, 2025: “Phantom Gleam”

I have released a new work, “Phantom Gleam.”

You can listen to it and download it on Bandcamp.

Latest Articles

Echoes of the Self and the Voice of the Other: A Dialogue on Composition with AI
Podcast Commentary on This Article (in Japanese)With the rapid proliferation of AI-driven compo...
Silence as the Fountainhead of Writing: Thoughts on BGM for Writing
When I sit down to write and face myself, I do not play music (BGM). I don't even wear earphones...
Are We Speaking in “DAW-lish”?
The Blind Spot in the DAW Production EnvironmentThe DAW (Digital Audio Workstation) has, before ...
Review: “Musical Cognition” edited by Rita Aiello
(Original posted on April 10, 2002)This is a collection of research papers on the theme of music...
Deconstructing DAW Music Production with “A Story of a Garden”: Solitude, Contingency, and Coexistence with AI
Tsunehiro Uno's "A Story of a Garden" is a thought-provoking book that offers a new perspective ...
Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi
(Original posted on April 9, 2002)This is a collection of research papers on music aesthetics, c...
Review: “A History of Harmony” by Olivier Alain
(Original posted on April 10, 2002)Harmony, or "chōwa" in Japanese, translates to "concord" or "...

Categories

Latest Articles by Category

Essays

Echoes of the Self and the Voice of the Other: A Dialogue on Composition with AI
Silence as the Fountainhead of Writing: Thoughts on BGM for Writing
Are We Speaking in “DAW-lish”?
Deconstructing DAW Music Production with “A Story of a Garden”: Solitude, Contingency, and Coexistence with AI

Cubase & Plugins

ASIO-Guard Explained – For Stability and Performance in Your Production Environment
How to Make MIDI Data Drag and Drop Work Correctly
Is Nahimic Causing Your Cubase to Crash & Freeze? Solutions Here
WinRT MIDI: What is it? From Bluetooth Support to MMCSS Error Countermeasures

Music Reviews

Darius’s “MAIN THEME – CHAOS” by Hisayoshi Ogura (OGR): A Uniquely Original Masterpiece
The Serene Aesthetics of Fusion in Tigran Hamasyan’s “The Poet”
Rediscovering the Charm of Lutoslawski
Listening to “Hana” by ASA-CHANG & Junray

Book Reviews

Review: “Musical Cognition” edited by Rita Aiello
Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi
Review: “A History of Harmony” by Olivier Alain
Review: “Encyclopedia: The Book of World Music” edited by Yoshihiko Tokumaru, Yuji Takahashi, Masakazu Kitanaka, Hiroshi Watanabe
Profile      
Masaharu

A Japanese composer creating experimental crossover music rooted in jazz and classical music. Drawing on his experience in composing for stage productions and video games, he seeks to create music with a strong narrative.

Masaharu