Essays on Music and Creativity — A Selection

Summoning Music and the Aesthetics of Responsibility: The Concept of Composition in the Generative AI Era
Podcast Commentary on This Article (AI Voice)The world of music production is at a historic tu...
A Further Look at Composition: Why is Empathy Through Music Possible?
(Originally posted on November 12, 1999)In a previous column, "Gazing at Composition," I attem...
Gazing at Composition: A Hypothetical Model for Understanding the Act of Composition
(Originally posted on October 21, 1999)The act of composition is often perceived, both by comp...
One of the Origins I Should Return To
(Originally posted on April 26, 2007)One of my favorite childhood pastimes was playing with LE...
Words Create Likenesses and Update Sensations
(Originally posted: March 30, 2026)When I try to put something into words, I do not feel that ...
On Depletion, Mastery, and Cultivating the Soil
When I finish a piece primarily using sampled materials, I sometimes feel a certain sense of d...
On Traces of Output, or the Self-Portrait of an OS
To those who know me in everyday life, I often seem to be perceived as a logical—or perhaps mo...
Instrument of Logic: The Primordial Landscape of MSX and MML
As a boy who loved making things, I was constantly struggling with the limitations of "materia...
Music and Words, the Creative Cycle: Like Building a Model Castle
"Podcast Commentary on This Article" by AI VoiceWhat motivates a creator of music to weave wor...
Is Our Music Speaking "DAW Language"?
AI-Voiced "Podcast Commentary on This Article"The Blind Spot of the DAW as a Production Envir...
Deconstructing DAW Music Production with "A Story of a Garden": Solitude, Contingency, and Coexistence with AI
Tsunehiro Uno's "A Story of a Garden" is a thought-provoking book that offers a new perspectiv...

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Masaharu

Japanese composer. Based on jazz and classical foundations, he creates experimental crossover music. Drawing on his experience in composing for theater and games, he pursues music rich in narrative and structural beauty.