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Masaharu – Composer | Official Site

Masaharu 作曲家 Composer
2025-03-04
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Released July 15, 2025: “Contour of Oblivion”

The new EP “Contour of Oblivion” has been released.

This 3-track work explores delicately shifting structures and developments, one of the artist’s themes, centered on the context of IDM (Intelligent Dance Music).

Available for listening and download on Bandcamp.

Published on March 2, 2025: “Titan’s Dream”

The new track “Titan’s Dream” is now available on YouTube.

Released on February 14, 2025: “Phantom Gleam”

I have released a new work, “Phantom Gleam.”

You can listen to it and download it on Bandcamp.

 

Latest Articles

Deconstructing DAW Music Production with “A Story of a Garden”: Solitude, Contingency, and Coexistence with AI
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Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi
(Original posted on April 9, 2002)This is a collection of research papers on music aesthetics, c...
Review: “A History of Harmony” by Olivier Alain
(Original posted on April 10, 2002)Harmony, or "chōwa" in Japanese, translates to "concord" or "...
Darius’s “MAIN THEME – CHAOS” by Hisayoshi Ogura (OGR): A Uniquely Original Masterpiece
The game music of the 1980s is home to a number of experimental and distinctive masterpieces, an...
The Serene Aesthetics of Fusion in Tigran Hamasyan’s “The Poet”
In the music scene, the name Tigran Hamasyan is known as that of an innovator who creates a musi...
Review: “Encyclopedia: The Book of World Music” edited by Yoshihiko Tokumaru, Yuji Takahashi, Masakazu Kitanaka, Hiroshi Watanabe
(Original posted on December 17, 2008)When one sees the title "The Book of World Music," the fir...
Review: “Throwing Sounds: The Range of Compositional Thought” by Jo Kondo
(Original posted on January 4, 2009)While releasing distinctive works through his unique composi...

Categories

Latest Articles by Category

Essays

A Further Look at Composition: Why is Empathy Through Music Possible?
Music Theory from a Composer’s Perspective: Two Types of Music Theory and How to Approach Them
Gazing at Composition: A Hypothetical Model for Understanding the Act of Composition
Going on a Field Trip with the Song I’m Composing

Cubase & Plugins

ASIO-Guard Explained – For Stability and Performance in Your Production Environment
How to Make MIDI Data Drag and Drop Work Correctly
Is Nahimic Causing Your Cubase to Crash & Freeze? Solutions Here
WinRT MIDI: What is it? From Bluetooth Support to MMCSS Error Countermeasures

Music Reviews

Darius’s “MAIN THEME – CHAOS” by Hisayoshi Ogura (OGR): A Uniquely Original Masterpiece
The Serene Aesthetics of Fusion in Tigran Hamasyan’s “The Poet”
Rediscovering the Charm of Lutoslawski
Listening to “Hana” by ASA-CHANG & Junray

Book Reviews

Deconstructing DAW Music Production with “A Story of a Garden”: Solitude, Contingency, and Coexistence with AI
Review: “Symphony of Spirit and Music” Edited by Tomonobu Imamichi
Review: “A History of Harmony” by Olivier Alain
Review: “Encyclopedia: The Book of World Music” edited by Yoshihiko Tokumaru, Yuji Takahashi, Masakazu Kitanaka, Hiroshi Watanabe
Profile      
Masaharu

A Japanese composer creating experimental crossover music rooted in jazz and classical music. Drawing on his experience in composing for stage productions and video games, he seeks to create music with a strong narrative.

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